英语名著读后感【通用3篇】

英语名著读后感 篇一

《傲慢与偏见》读后感

《傲慢与偏见》是英国作家简·奥斯汀的代表作,也是我最喜欢的英语名著之一。这部小说以幽默的语言和深入的人物刻画,展现了19世纪英国上层社会的种种偏见和封建观念,引人深思。

小说以伊丽莎白·班内特和菲茨威廉·达西之间的爱情故事为主线。伊丽莎白是一个聪明机智、独立思考的女性,她对社会的偏见和虚伪感到厌恶。而达西则是一个富有而高贵的绅士,他一开始对伊丽莎白抱有偏见和傲慢态度。然而,随着故事的发展,他们两人逐渐了解对方,发现了自己先前的偏见是错误的,最终走到了一起。

通过这个爱情故事,作者巧妙地揭示了人们对他人的偏见和歧视是多么荒谬可笑。无论是贫富差距、阶级差异还是地位高低,这些都不能决定一个人的真正价值和品质。只有通过真实了解和尊重他人,我们才能打破偏见,真正实现平等和和谐。

除了对偏见的深刻揭示,这本小说还以幽默和机智的文字风格赢得了读者的喜爱。作者通过对人物的细腻描写和对社会习俗的讽刺,展现了英国社会的种种面貌。尽管故事发生在两个世纪前,但其中的人性和社会问题至今仍然具有深远的启示作用。

在读完《傲慢与偏见》后,我深深地被其情节和主题所吸引。这部小说不仅仅是一部浪漫的爱情故事,更是对社会偏见和封建观念的深刻剖析。它提醒我们要摒弃偏见和歧视,真正实现平等和和谐的社会。

英语名著读后感 篇二

《呼啸山庄》读后感

《呼啸山庄》是英国作家艾米莉·勃朗特的代表作之一,也是一部家庭悲剧小说。这部小说以维多利亚时代英国北方一个庄园的故事为背景,描绘了人性的黑暗面和社会阶级的冲突,给我留下了深刻的印象。

小说的故事发生在一个荒凉的山庄,主要围绕着希斯克利夫和凯瑟琳·厄肖的爱情展开。希斯克利夫是一个粗鲁而野蛮的孤儿,而凯瑟琳则是一个美丽而高傲的女子。他们之间的爱情被阶级差距和外界的干扰所破坏,最终导致了悲剧的结局。

这部小说通过对人性的揭示和对社会阶级的批判,展现了人与人之间的复杂关系和社会的不公平。希斯克利夫和凯瑟琳的爱情受到了外界的压力和阻碍,他们无法摆脱命运的束缚,最终导致了悲剧的结局。这让我深思人与人之间的关系和社会的不公平现象,以及我们应如何面对这些困境。

此外,小说中的人物形象也给我留下了深刻的印象。希斯克利夫虽然粗鲁野蛮,但他内心深处有一颗善良的心。凯瑟琳则是一个充满自由和个性的女性,她对爱情和自由的追求让我深感敬佩。通过这些人物形象的塑造,作者成功地展现了人性的复杂性和多样性。

在读完《呼啸山庄》后,我深深地被其情节和主题所触动。这部小说不仅仅是一部悲剧爱情故事,更是对人性和社会问题的深刻思考。它让我明白了人与人之间的关系是多么复杂和脆弱,同时也提醒我们要对他人保持宽容和理解,追求真正的自由与平等。

英语名著读后感 篇三

英语名著读后感

Published in 1847, WUTHERING HEIGHTS was not well received by the reading public, many of whom condemned it as sordid, vulgar, and unnatural--and author Emily Bronte went to her grave in 1848 believing that her only novel was a failure. It was not until 1850, when WUTHERING HEIGHTS received a second printing with an introduction by Emily's sister Charlotte, that it attracted a wide readership. And from that point the reputation of the book has never looked back. Today it is widely recognized as one of the great novels of English literature.

Even so, WUTHERING HEIGHTS continues to pide readers. It is not a pretty love story; rather, it is swirling tale of largely unlikeable people caught up in obsessive love that turns to dark madness. It is cruel, violent, dark and brooding, and many people find it extremely unpleasant. And yet--it possesses a grandeur of language and design, a sense of tremendous pity and great loss that sets it apart from virtually every other novel written.

The novel is told in the form of an extended flashback. After a visit to his strange landlord, a newcomer to the area desires to know the history of the family--which he receives from Nelly Deans, a servant who introduces us to the Earnshaw family who once resided in the house known as Wuthering Heights. It was once a cheerful place, but Old Earnshaw adopted a "Gipsy" child who he named Heathcliff. And Catherine, daughter of the house, found in him the perfect companion: wild, rude, and as proud and cruel as she. But although Catherine loves him, even recognizes him as her soulmate, she cannot lower herself to marry so far below her social station. She instead marries another, and in so doing sets in motion an obsession that will destroy them all.

WUTHERING HEIGHTS is a bit difficult to "get into;" the opening chapters are so dark in their portrait of the end result of this obsessive love that they are somewhat off-putting. But they feed into the flow of the work in a remarkable way, setting the stage for one of the most remarkable structures in all of literature, a story that circles upon itself in a series of repetitions as it plays out across two generations. Catherine and Heathcliff are equally remarkable, both vicious and cruel, and yet never able to shed their impossible love no matter how brutally one may wound the other.

As the novel coils further into alcoholism, seduction, and one of the most elaborately imagined plans of revenge it gathers into a ghostly tone: Heathcliff, driven to madness by a woman who is not there but who seems reflected in every part of his world--dragging her corpse from the grave, hearing her calling to him from the moors, escalating his brutality not for the sake of brutality but so that her memory w

ill never fade, so that she may never leave his mind until death itself. Yes, this is madness, insanity, and there is no peace this side of the grave or even beyond.

It is a stunning novel, frightening, inexorable, unsettling, filled with unbridled passion that makes one cringe. Even if you do not like it, you should read it at least once--and those who do like it will return to it again and again

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